In The Margins is a body of registered abstractions built through transfer, repetition, misalignment, and revision. Gelli-plate registration becomes a pressure system: something designed to align, then deliberately allowed to slip. Each shift leaves evidence. What should match does not quite match; what is covered is never fully erased. Across the series, registration becomes both process and metaphor—a way to think about correction, memory, repetition, and the traces that remain after something has been moved or revised.
Registered Pressure 24 × 30 in. · 2026
Registered Interruption 24 × 30 in. · 2026
Registered Compression 24 × 30 in. · 2026
Registered Misprint (13) 18 × 24 in. · 2026
Registered Faultlight 18 × 24 in. · 2026
Registered Vector 16 × 20 in. · 2026
Registered Meridian 16 × 20 in. · 2026
Registered Circuit 12 × 16 in. · 2026
Registered Palimpsest 12 × 16 in. · 2026
What shifts out of alignment is often what leaves the clearest trace.